We arrive in the early evening at Varanasi's new looking airport, which lies about 25 km outside town. Our taxi driver weaves through the dense traffic on roads that seem finished, but evidently aren't, as traffic suddenly all shifts to one side of the barricades over and over. It's one of the final days of another Hindu festival. The name immediately departs my mind. Provisional tent-like shelters dot the many roads we travel into the central city and they are brimming with flashing lights and pumping out crazy-loud music as gaudy colors bleed together between the women's wear and the deities we can glimpse as we speed by. People are all over the roads, along with rickshaws, bicycles, motorbikes, cars, buses, and not to be forgotten--cows, buffalo and dogs. It's pandemonium even for India. As we close in on Assi Ghat, the area we're staying, the driver parks and we have to walk the rest of the way. People are out in force, although it's now close to 9 pm. Others have bedded down along the steps that lead down to the famous river. It's been a long day, so we're off to bed.
In the morning we sleep in a bit as we've been getting up early for days. A laid back breakfast and a look around the lovely old palace that is now a small hotel, before we head out along the ghats. It appears to be possible to walk along the water and mud flat banks at this time of year, so while being bombarded with offers to "go boat" and see a litany of stuff I don't really listen for, we move off. The Ganges is one of India's lifelines, not just as a source of water, but as the main artery of its much of its culture and religion. All along this bank are the remnants of old palaces, once homes to maharajahs from around what is now India. Today, the majority are well past their days of glory, many house untold numbers of people, harbor homeless people in their shady overhangs or have simply succumbed to the passage of time and the unforgiving power of nature. There are priests muttering and reading from texts, young kids jumping off the sides of moored boats, and wannabe guides, many of them very persistently vying for some slice of our attention. The day's heat is steadily increasing, and after walking through a small cremation ghat where we are predictably offered "better view" and advised "not be frighten", while we look over at the scores of men either working on the funeral pyres, or seeming to relax on the steps while they wait for things to be ready for the cremation, we finally head up the steep steps and back into the alleyways of the city, leaving the mud, water, offerings and river dwellers behind with the glaring sands of the opposite bank blinding us in the distance. More ghat walking for another day, perhaps.
https://photos.app.goo.gl/tA3Tmhkz3m7xNRnF7
From here it's on into the serpentine alleys above the ghats. No map could adequately guide you here--only a reasonable sense of direction--which I am fortunately blessed with. From tea stands to paneer makers, cows and their cow patties, temples, candle decorated corners, to mangy dogs, sari shops, egg and vegetable stands, all fit snugly together in an engimatic puzzle snugly in and around decaying buildings--some that exude an atmosphere of times past--others merely the smell of blackened cooking oil, pungent curries or overripe moldy humidity. The lanes are narrow enough that no cars can drive here at all, but they're still just wide enough for the regular passage of impatient tooting motorbike riders, bicycles, dogs, goats, and the occasional rickshaw., and the ubiquitous cow. Laundry drapes across doorways and hangs in dark corridors. There are impromptu stands and spots for everything from a glass of tea to fried doughnuts and miniscule kiosks that sell individual packets of everything from chutney to shampoo.; others specialize in bright marigold garlands. Syrupy sweets and junk food rule, as does the necessity to watch where you step. Cows aren't particular about their toilets. We finally end up back close to where we started by the river, find our bearings and head home.
In the afternoon we head off in a slightly different direction, following along the road near us, and there watch a new cast of characters interspersed with manic traffic. We come upon a small vegan restaurant that I'd read about, and head in for a bit of sustenance, then happen upon a lovely little art gallery where we browse at length, as there are shelves and shelves of statuary, carvings and paintings. We decide to contact a walking tour place we've read about to see if we can get beyond the superficial and baffling and learn a bit more about the city.
https://photos.app.goo.gl/UiETBUHUFrHe96q96
Our evening is spent at the Ghat watching the aarti ceremony, performed by et of five young men in highly ritualized moves that principally involve different sorts of fire-bearing vessels, while crackled chanting is piped in over a sound system. The men face the Ganges--the deity in this case--while the substantial crowd watches, but with far from undivided attention. There is constant motion, some begging, children meandering through the crowd trying to sell the small bowls of flower offerings for the river, and there is a copious mobile phone photography, both selfie and otherwise--. Despite the appearance of total disorganization, there is a definite undercurrent of seriousness. Once complete, people approach the platforms where the aarti was performed, wave their hands lightly over the remaining fire and touch their heads and faces with the heat. Others head down to the river with offerings. The crowd disperses, and other than a few hangers-on, those who "live" on the ghats, settle in for the night ready for a whole new aarti prior to the sunrise.
We're again up before dawn to witness the morning aarti, which to our untrained eyes looks very similar. It's performed in a slightly different part of the ghat, one that looks to have been recently rebuilt to hold more people. Prior to this a large group of predominantly women are chanting under a large covered platform around a fire, but they end up stopping, and many leave prior to the morning aarti proper, which is again lots of turning and chanting with different vessels holding fire, finalizing right about the time the sun floats up over the smoky horizon, a fiery red ball. This is followed by offerings at the river-side, lots of people(Indian tourists, presumably) heading out for boat rides on the Ganges, quite a lot of bathers and dunkers at the river's edge, and then large rolls of dusty carpet are unrolled in preparation for the public yoga session. A crew clears up all the paraphernalia involved in the aarti, while the yoga begins. It is led by a teacher who sits up on a platform and talks incessantly, and leads the pretty extensive crowd--most of whom are holdovers from the aarti viewing--in about an hour of breathing exercises. It's all in Hindi(my assumption), and there is a lot of counting involved, which we only know because every so often he begins counting in English. Each morning we see the same ancient little old bespectacled man, skin and bone, with his walking staff, who stops to anoint himself with the remaining aarti fire and then settles in for yoga. It's about 7:30, and the day is in full swing.
https://photos.app.goo.gl/PUesrUkmriweqqu46
After breakfast with a couple of older English ladies and a youngish American woman who teaches Buddhist history at a nearby university to Amer students abroad, we meet up with our walking guide, Laotse. He whisks us off, we stopping first at a couple of temples and a local outdoor wrestling gym before we head into a Muslim neighborhood, where he say most of the weavers remaining in Varanasi work. We visit silk weavers and a cotton weaver. He explains that the majority of these artisans --99% are men, women only embroider and bejewel--come from long lines of traditional weavers, many of whom hailed from central Asia, untold generations ago. They work on large looms that hold up to 6000 threads of silk warp, often working from patterns that are punched out on long accordion-like cardboard slats. This generation is still weaving, but the likelihood of their sons continuing the craft are in precipitous decline. More than 75% of the weavers that were here 50 years ago have abandoned it. It is unclear where all the spinning and dying of fiber is done, and by whom,--but we're told that about half the silk still comes from China, while the rest is cultivated in northern India, and that Varanasi was an important stop on the Silk Route.
Continuing on in a different neighborhood, we find an area where traditional wooden toys are carved--mostly tops, yo-yo's and the like. The wood is piled everywhere, cut by some into the rough dowels from which several tops will be carved. The carving is all done on electric machines, but with an ease and steadiness of hand that is noteworthy. After being carved, each piece is colored with a stick of what looks like a crayon, but is in fact a coloring agent made by other neighborhood artisans. They melt a lacquer-like substance together with a bright colored powder, stretch and mix it over fire and eventually shape the mass into long rods, which are later broken into pieces that serve as the "crayons" we see the toy-makers use. Again, this is a tiny glimpse into another dying trade. Machines and factories are systematically eliminating these trades. We visit one last toy maker, another multi-generational set-up where they carve and paint wood, and where they also make some of those impossible stone carvings, where an elephant is carved within an elephant within yet a third one, all from a single block of stone. With a final stop at an old temple nearby, we head back and arrange for another walk the following day.
This walk lands us in the oldest part of Varanasi, near the heavily guarded Golden Temple, which anchors the old city. We take a rickshaw through the chokingly full streets and then head into the very oldest part of the city through bazaars, shops, food stands cum restaurants, where we spend a lot of time visiting "off the beaten track" Hindu temples of various sorts. Most of these are hidden behind closed doors, but Laotse seems to know everyone. He simply knocks or gives a shout and amidst shuffling feet and creaking doors, we're welcomed in. North Indian temples are generally not terribly colorful, and many old sites in the city were Hindu, demolished and built over with mosques and then during the British colonial period, many were rebuilt as Hindu temples once again. The litany of which god presides over which temple, how one can tell by colors which is the primary deity, and the like is mind-bogglingly complicated, but still fascinating. Each deity has his or her own corresponding "transport", animal, and domain. Some have endless incarnations. Remembering any of Laotse's well-intentioned information is challenging!
He also takes us through the main cremation grounds of Varanasi, where about 150 bodies are burnt daily. I feel like I've taken a step into the pits of hell--it's almost impossible to breathe here with the smoke--it's astoundingly hot everywhere, and wood for cremations is pile several stories high everywhere that you look. A special "caste" work here, and he maintains that the fires from which pyres are lit today have been lit for thousands of years. As he's speaking a man hurries by with a large bone held between two sticks. Lao explains that this was a man's breastbone, which generally doesn't fully burn--just as a woman's pelvic bone typically does not--and that in keeping with tradition, this will now be returned to the Ganges. The body comes from five elements: fire, earth, water, air and sky, and in death is put in the fire, becomes ash, which is how it returns to earth, the bones are taken back to the river(water), and the smoke becomes air, and eventually sky--thus the same notion that we have of ashes to ashes, dust to dust. He explains about all the Indians who make the trek to die in Varanasi itself, how this is different from dying outside the city, and
talks at length about the connections between Varanasi and the cycle of reincarnation and possibility of liberation from the cycle--moksha. Heads spinning we continue on to visit a beautiful Nepalese temple all built in wood, and other hidden wonders, some of which perch high above the northern ghats. Returning via the long lines and almost frightening police presence to get into the Golden Temple, we catch a glimpse of the top of the temple, and finally head back to our own haunts. Laotse is truly saddened by the fact that the old city that presently surrounds the Golden Temple is now being torn down, this being the government's effort to make room for the hundreds of thousands of pilgrims who flock to visit. Not only will be residents be displaced, but much of the atmosphere and history will be torn down with it. In a few years it will be nothing but a distant memory.
Our final morning we watch a final aarti ceremony. It difficult not to be taken with the city--despite its extreme assault on the senses. It's a place that clearly reaches deep inside some--the handful of resident foreigners we've had the privilege to chat with are swept up in its charms, while very much aware of its shortcomings. It must take a long time to really get any handle on the dizzying experience that is daily life in Varanasi, and we feel fortunate to have experienced a stint here, but now we're off to India's most famous monument, the Taj Mahal in Agra.
Check out some picture from our walks.
https://photos.app.goo.gl/cYhPveoiVbdonG1s5